
Side two is Joe South." Ī second album, No Problem Here, was issued in 1978, followed in 1980 by Cuttin' Corners on RCA Records. Reviewing it in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said, "although it does often sound pat, as folk stoicism will in a post-folk context, the first side comes across pretty outspoken for a Mississippi singer-songwriter with royalties in the bank-the heroine of one song is a rape victim who murders both assailant and judge after the latter lets off the former. His self-titled debut album produced the single "It's a Crazy World" which reached No. 37 on the Billboard Hot 100.
The producers there encouraged him, and by 1977 he was signed to Ariola Records. During a session break, McAnally began to perform original material.

From there, he went on to become a session musician in Muscle Shoals, Alabama. As a child, he began playing piano and singing in church at the Belmont First Baptist Church in Belmont, Mississippi, and by age fifteen, he had composed his first song.
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Lopatin is also a soundtrack composer, most recently on the acclaimed, chaotic 2019 thriller Uncut Gems, and it’s that sense of veiled storytelling that comes alive during the ride of “Long Road Home.” -Raisa Bruner 9. He cuts, chops and shifts with manic energy, never resolving into anything less tense than those early strings. But the operatic confusion, present throughout his ninth studio album Magic Oneohtrix Point Never, is part of the pleasure. He finds moments of approachability here, thanks in part to vocals contributed by Caroline Polachek and mixed to anonymity. The tension of that journey is echoed in the lyrics: “I don’t know why I don’t wanna transform/ Taking the long way home.” Daniel Lopatin, the mastermind behind the sonic experiment that is Oneohtrix Point Never, has said this song is about learning to live in uncertainty. Then they settle into a sparkling song that’s a constant surprise until its final note.

The strings that kick off “Long Road Home” are so urgent they transport listeners straight into a concert hall.
